They taught us
volunteers
running Suicide Action Montreal
That a caller's
"I want to kill myself"
should always be taken seriously
And followed-up
with the question
"How do you plan on doing it?"
If an answer
full of methodic steps
were to come-up we were there to rate the call on the urgent side of the numeric scale
and act accordingly.
The failing I felt
every time
as an anonymous stranger
on the other end of the line:
I wasn't permitted to find and meet the caller
I had to have the call traced
Maintain the anonymous distance
Send a ticket to a mental health ward
instead of unconditional support
to another human being
crying out for help.
Dear Reetika Vazirani, I never spoke anonymously with you. You were averse to suicide hotlines to the ambulances they'd send and the hospitals they'd send you to. In any case we weren't in the same cities Not even the same country, for the most part Still, somehow somewhere as a poet as a woman as a reader of the first Press to publish you [1] as a South Asian in North America as an anonymous stranger I know you. Dear Reetika Vazirani, This isn't a poem for you You are long gone Stabbed to death along with your son by a kitchen knife in your hand. Eight months after your death, following an inexplicably long Feature [2] What are we to make of your story? Dear Reetika Vazirani This is not an homage to you. This is a letter to us To better understand ourselves To better understand the place that you left.
You picked poetry as your trade
(different from poetry as hobby)
A near-impossible choice
for the daughter of professional Indian immigrants
driven by the pursuits of both
Knowledge and Social Acknowledgment
(your father, an Assistant Dean and oral surgeon concurrently).
A near-impossible choice
because much like the insightful
short films
I went to see the other day
offered by the Art Film House
for absolutely free
Next to nobody wants poetry.
And the supply is so much greater than the demand
And those who acknowledge it are so few and far between
"those who have been forced
to a knowledge that has
severed knowing
into the smallest pieces"
as Susan Griffin puts it,
"fragments flying into
the far corners of a fractured world." [3]
Dear Reetika Vazirani,
You fell in deep love
with a poet you didn't know for long.
For fragments flying in a fractured world
this makes sense.
As a poet he was in touch
with a touch
you could also touch
This came through
in the dancing rhythm you shared
in the creative child laid bare
by the fruit of your love
which rotted.
Dear Reetika Vazirani
All this makes perfect sense
to the far corners of fractured worlds
My deepest fall
in love
was with the mystery of a face
which had never locked eyes with another-
A poet
I knew briefly
but overlapped with intensely
and then had to leave
for our joint safety.
Dear Reetika Vazirani,
Your lover was a black male poet
of no uncertain acclaim.
Of course, such acclaim
was more possible for him:
Male in a Black and White Nation
whose poetic vision
would be that much more accessible
because his male and black history
is that much more familiar
than female and red
or female and brown
or female and blue.
But when your poet-lover's acclaim
transferred some concrete recognition
to you
It all became too real,
the reality of your place:
a lesser-known poet
(published, yes. award-winning, yes)
who bore the child of a better-known poet
and through this gained
the long-sought
acknowledgement-cum-opportunity
of a financially significant 'poetry-job'
(with the potential of becoming permanent)
A Lesser-Known Female Poet
gaining some significant social space
which was not significant enough
because it wasn't all that significant
as the carry-on of Black Male Acclaim.
And you had so very much to give,
Dear Reetika Vazirani.
words
ideas
gests
and other things appropriate.
Agile as you were
you could easily fit-in
but always as a white elephant
roaming world hotels
And so, it was not easy
to know you fully.
Your colleagues and friends
saw your joy and flair of giving
and believed this to be happiness.
What you didn't have
perhaps
was the sufficient presence of others
within which to give all you had to give.
It wasn't sensed,
all that you had to offer
And so, much remained un-taken
And in this way we didn't accept you
Dear Reetika Vazirani
And that is where you were alone.
And that is where we didn't look beneath
the surfaces
we didn't look close enough
And so we didn't do enough
And that is where we can always do better.
Dear Reetika Vazirani, You took your toddler son with you. An affront to National Family Values In a nation where suicide takes more deaths than homicide And some 1000 traced cases of mothers killing their children in the past US 10 years show mothers usually killing themselves as well. "purposeful filicide" There is purpose there Where women don't want to abandon their children don't want their children to grow-up without Mum And for you, Reetika Vazirani first alone in your isolation, then alone in your isolation x2 It followed for you and your son to go together. Alone together Dead together.
And then there were
the anti-depressants and therapists
that your loved ones knew of
Dear Reetika Vazirani.
Some internal imbalance
chemical or otherwise
rendered or genetic
(there was also your father's suicide)
Or all of the above
Who knows?
Maybe the final trials you endured:
Love Motherhood Success
pushed you past the threshold
Suicide and Filicide flowing
from an Internal Imbalance gone-out-of-whack.
Dear Reetika Vazirani, There were chronic callers at Suicide Action Montreal. Mostly sufferers of internal imbalances with no one else to reach for. They called often contemplated suicide often and attempted suicide more than once. Sometimes with success These chronic cases we were told were calls not to waste long with Because time is short and hotline volunteers are few and the suicides are many and there is no way to know for sure when a chronic caller is about to self-kill and there was a lack of statistics on this And for all these reasons these cases were worth less in the non-profit business of suicide hotlines
But you made chronic calls for help
to friendsDear Reetika Vazirani:
-the 12 page list of detailed instructions
to be followed after your death
(left among a friend's files)
-the emergency need to flee an unsafe place
in your lover's house
(group-emailed to friends)
-several statements to friends about feeling
unsafe
-"Sometimes I think it would be easier
to do what my father did and just go to sleep"
to a friend on the phone
-the July 16, 7:15am call to a friend
Announcing your decision to hurt yourself and your son
who told you to call a suicide hotline [4] -
Dear Reetika Vazirani
In a society of people
keeping distances
from all but those
immediately involved in their lives
An entire Suicide Action Industry
(even publicly-funded therapy)
can do little
to unbind
our alienation from each other
(even in Canada we have plenty of suicides).
Dear Reetika Vazirani
Here
Now
I commit
to not keeping
polite
or safe distances.
Dear Reetika Vazirani, It's late in the city and your are asleep. [5] This isn't a message for you Just a stranger's attempt to enter -without romance- a familiar map of homelessness To pick-up the receiver And try to make something of the key you left.
[1] Copper Canyon Press - a 31 year old, non-profit, unique publisher of poetry - published Reetika Vazirani's second collection of poems, World Hotel, in 2002. (See www.coppercanyonpress.org) Her first collection, White Elephants, was awarded the Barnard New Women Poets Prize in 1996 and was published as part of the award.
[3] From Susan Griffin's poem, "To the Far Corners of Fractured Worlds", in her Collected Poems, Copper Canyon Press, 1997.
[4] Reetika Vazirani and her son, Jehan Vazirani Komunyakaa, were found dead in the afternoon of July 16, 2003.
[5] This stanza echoes Reetika Vazirani's poem "It's Me, I'm Not Home", from World Hotel.
Salimah Valiani is a Canadian poet, activist and researcher. She has lived in Canada, England and the USA, and has traveled to various parts of Asia as part of her work in international development policy advocacy. Through all of this, she has participated in feminist projects, international solidarity building, and intellectual discussion. She believes in the power of poetry to address some of humanity's deepest aching.